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One view represented by other writers such as Frederik L. Schodt , Kinko Ito, and Adam L. Kern, stress continuity of Japanese cultural and aesthetic traditions, including pre-war, Meiji , and pre-Meiji culture and art.
Manga is said to originate from scrolls dating back to the 12th and 13th centuries. During the Edo period , another book of drawings, Toba Ehon , embedded the concept of manga.
Writers stress continuity of Japanese cultural and aesthetic traditions as central to the history of manga. They include Frederik L.
Schodt ,   Kinko Ito,  Adam L. Kern,   and Eric Peter Nash. However others like Isao Takahata , Studio Ghibli co-founder and director, contends there is no linkage with the scrolls and modern manga.
Schodt and Nash also see a particularly significant role for kamishibai , a form of street theater where itinerant artists displayed pictures in a light box while narrating the story to audiences in the street.
Ito describes how this tradition has steadily produced new genres and markets, e. Similarly, Inoue sees manga as being a mixture of image- and word-centered elements, each pre-dating the Allied occupation of Japan.
Both fuse in what Inoue sees as a symbiosis in manga. For Murakami and Tatsumi, trans-nationalism or globalization refers specifically to the flow of cultural and subcultural material from one nation to another.
Thus, these scholars see the history of manga as involving historical continuities and discontinuities between the aesthetic and cultural past as it interacts with post-WWII innovation and trans-nationalism.
After World War II, Japanese artists subsequently gave life to their own style during the occupation — and post-occupation years early s , when a previously militaristic and ultranationalist Japan was rebuilding its political and economic infrastructure.
Furthermore, the Japanese Constitution Article 21 prohibited all forms of censorship. Astro Boy was both a superpowered robot and a naive little boy.
By contrast, Sazae-san meaning "Ms. Sazae" was drawn starting in by Machiko Hasegawa, a young woman artist who made her heroine a stand-in for millions of Japanese men and especially women rendered homeless by the war.
Tezuka and Hasegawa were also both stylistic innovators. Hence in manga production as in film production, the person who decides the allocation of panels Komawari is credited as the author while most drawing are done by assistants.
This kind of visual dynamism was widely adopted by later manga artists. These women artists also created considerable stylistic innovations.
By the start of the 21st century, manga for women and girls thus represented a broad spectrum of material for pre- and early teenagers to material for adult women.
Manga for male readers can be characterized in different ways. One is by the age of its intended audience: Boys and young men were among the earliest readers of manga after World War II.
However, Golgo and Itto remain men throughout and neither of them ever displays superpowers. Instead, these stories "journey into the hearts and minds of men" by remaining on the plane of human psychology and motivation.
Sports themes are also popular in manga for male readers. For manga critics Koji Aihara and Kentaro Takekuma,  such battle stories endlessly repeat the same mindless themes of violence, which they sardonically label the "Shonen Manga Plot Shish Kebob", where fights follow fights like meat skewered on a stick.
Frog Keroro Gunso , about a platoon of slacker alien frogs who invade the Earth and end up free-loading off the Hinata family in Tokyo. Slump , whose main character is the mischievous and powerful girl robot Arale Norimaki.
The role of girls and women in manga for male readers has evolved considerably since Arale. As of national censorship laws and local ordinances remain in Japan and the public response to the publication of manga with sexual content or the depiction of nudity has been mixed.
Series have an audience and sell well but their publication also encounters opposition. In the early s the opposition resulted in the creation of Harmful manga lists and a shift in the publishing industry.
By this time large publishers had created a general manga demand but the corollary is that they were also susceptible to public opinion in their markets.
With the relaxation of censorship in Japan after the early s, various forms of graphically drawn sexual content appeared in manga intended for male readers that correspondingly occurred in English translations.
Gekiga literally means "drama pictures" and refers to a form of aesthetic realism in manga. As the social protest of these early years waned, gekiga shifted in meaning towards socially conscious, mature drama and towards the avant-garde.
An example is Ikebukuro West Gate Park from by Ira Ishida and Sena Aritou, a story of street thugs, rape, and vengeance set on the social margins of the wealthy Ikebukuro district of Tokyo.
From Wikipedia, the free encyclopedia. Part of a series on Anime and manga Anime. Time-lines for manga history are available in Mechademia, Gravett, and in articles by Go Tchiei This magazine-of-origin system is used by the English-language Wikipedia in its Template: Infobox animanga when assigning demographic labels to manga.
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